ABOUT THE ARTIST

Laura Thompson is an American mixed media and collage artist based in the Shenandoah Valley of Virginia. Her contemporary and surrealist work combines meticulously cut imagery from vintage magazines with abstract and representational painting to create dream-like and amusing compositions.   

Growing up on the fringe of a wealthy suburb of Rochester, NY, she was exposed to levels of privilege and hypocrisy that she found objectionable. From early on she honed the coping skills of humor and sarcasm. However, it wasn’t until after years of teaching art to middle schoolers that she began incorporating these themes into her own work. 

 She left upstate NY in 1998 to attend James Madison University, where she earned her BFA in Graphic Design and MA in Art Education. She began showing her stained and fused glass art in 2004, but returned to drawing and painting after her daughter was born in 2008. She worked with graphite and watercolor, then leaned heavily into oil painting for several years, at which point her characteristic tone of humor emerged. After a pandemic-induced painting hiatus, she discovered her signature mixed media collage style, which debuted in January 2021.  

Since living in Virginia, Laura has participated in more than 20 exhibitions statewide, as well as showing work in Louisiana, Tennessee, and Washington, D.C. She has won several awards for her “Little Worlds” series, including First Place in 2D Mixed Media at the 2023 Fall Foliage Festival in Waynesboro, VA, and Second Place in 2D Media at Crossroads Art Center in Richmond, VA in March 2023. In addition, the Arts Council of the Valley awarded her the 2023 Public Art Forward Grant to complete a 1000 sqft mural in downtown Harrisonburg, VA.

Artist Statement

My work transforms vintage magazine cutouts and painted backgrounds into surreal, whimsical compositions that invite curiosity and reflection. Each piece begins with layered, abstract or figurative paint, creating a backdrop for reimagined narratives. I then introduce structure—lines, shapes, or objects—before curating imagery from my catalog of post-World War II magazines. 

These idealized symbols of mid-century life evoke a nostalgic charm, yet take on new meaning when placed in unexpected contexts. Through careful composition, I construct scenes where tension, humor, or absurdity emerge, encouraging viewers to engage with a reality unbound by logic. 

By juxtaposing people, animals, and objects in impossible relationships and settings, the familiar becomes fantastical, uncovering new and playful possibilities. I want to draw you closer, spark wonder and invite you into the joke. Themes of human connection, our relationship with animals and the planet, social justice, inclusion, and feminism weave throughout my practice, offering space for both joy and introspection.

Gallery Representation

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